The characters in ‘Dahad’ (Roar), a collection of stories by Navin Abhilashi, seem so helpless, silent, and oppressed. Is this the fate of the characters or the product of the social structures created by society?
The stories in ‘Dahad’ excavate the cruel history of the Panchayat era, particularly the lives of marginalized, neglected, and struggling people in Nepali society over three decades ago. Each story presents the social responsibility of literature in a powerful way.
The characters in the stories are not just victims; they have a strong sense of resistance hidden within their silence. The story ‘Ekka’ shows the violent face of feudal thinking, while the title story ‘Dahad’ portrays how people’s trust in political change has been repeatedly disappointed. The system may have changed, but the expected change has not occurred in the lives of ordinary people.
The stories ‘Sinhur’, ‘Kinar’, and ‘Tana’ show how the characters, though not speaking the language of rebellion, are fighting for their existence, self-respect, and life through their struggles. The story ‘Aafre’ raises serious questions about the social structure that does not respect labor and skills.
The characters in ‘Dahad’ are not weak; they are representatives of a social structure where all doors to resistance are gradually closing. Their silence is not cowardice but the most painful expression of the helplessness imposed by the system and circumstances.
‘Dahad’ is a literary record of the suppressed voices in the secret history of Nepali society. It not only tells the story of people on the margins but also brings their existence, self-respect, and resistance to the center. It shakes the conscience of society and puts today’s people on the moral dock.
History is not just the story of the powerful; the struggles and dreams of people on the margins are also a part of history. ‘Dahad’ has established itself as an important work in contemporary Nepali literature, demanding serious reading, discussion, and introspection.
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